Sudarshan Shaw:Breaking Definitions of Art & Nature.

Ep#30 Season 4 Heart of Conservation Transcript (Edited)

Read or Listen. All paintings-photos courtesy Sudarshan Shaw.

0:05

Lalitha Krishnan:  I’m Lalitha Krishnan and you’re listening to episode #30, season 4 of Heart of Conservation. I bring you stories from the wild that keep us all connected to the natural world.

For someone who has no sense of direction and couldn’t probably read a map to save her life, I have to say I practically drooled over one visually delightful map that I came across on Instagram.  It conveyed a spectacular visually-rich story of a place, its people and art and biodiversity on a single sheet.  This is one, I would easily put up on my wall permanently. I will be putting them up on my blog, Earthy Matters very soon, so do have a look.

My guest today is not a cartographer by profession but a young, extremely talented visual artist from NIFT, whose keen sense of perception and belonging, passion for depicting, and preserving local art, and love for natural history is tangible in his stunning artworks which go way beyond creating maps. I am speaking to one of India’s rising young, inspiring artists and authors, Sudarshan Shaw. Welcome to Heart of Conservation Sudarshan. Thank you for joining me.

1:19

Sudarshan Shaw:  Thank you so much for having me on Heart of Conservation Lalitha. It’s an absolute honour to be here.

Lalitha Krishnan:  My pleasure. Sudarshan why don’t we start by you telling us a little bit about yourself and what influences your work?

Sudarshan Shaw:  I was born and brought up in the culturally rich cities of Bhubaneshwar and Kolkata. And I grew up feeding on art forms and colours of all types. And, I have always been a history buff so… all of which came together after I discovered my calling towards wildlife while I pursuing my final year of college. That’s when I visited Ranthambore National Park which was my first ever formal introduction to the wild world. It was also for my graduation project and while the forest look all great and beautiful, I always felt that connection was missing; some sort of connection. Thus, I started to explore more and more regions to understand myself and the situation better and have a better understanding of the wider world.

2:25

Lalitha Krishnan:   Nice. Let’s talk briefly about all the maps you created. You created more than one for Orissa, biodiversity maps for Andhra Pradesh, Gujarat, Rajasthan and West Bengal, a special Elephant corridor one for Kerala and other clients like the one for the Shiv Nadar University etc.  The first one which is the wildlife map of Orissa- your home state was self-funded. Am I right? What I love about that map is how you incorporated the local tribes and hotspots in the traditional pattachitra style of Orissa. It almost feels like a tribute. So, what made you create this one?

3:13

Sudarshan Shaw: Yes, it is a tribute indeed. It’s a tribute to the land, the wild and the cultural heritage of my state. It’s also a tribute to the strong relationship among them that enhances their meaning of each other. I always felt a huge disjoint in the natural and cultural heritage of India and the kind of graphic language the young communicators use in the country. I feel it is heavily influenced by the west and does not have that connection with the native land and hence it’s not acceptable to the masses in a certain way. So, the vibrance and diversity that folk arts have in store have disappeared from the contemporary visual language that we used to in recent time used to communicate our stories. This was my humble attempt to bring it back with all dignity and pride. Another reason would be Odisha itself. Odisha has an abundance of wildlife. We almost know all the stories regarding Odisha but it never found a place, I mean materially in our surroundings.

What I saw is the pattachitra paintings which are quite prevalent in Odisha -which is the folk-art form in Odisha – and it has a place in our homes over here. There are depictions of gods and goddesses and many other folklores on the walls. I thought this could give me an important platform if I drew it in that style and I depicted wildlife in that style. Eventually, it worked out well and the wildlife map found a place in people’s homes. So, they put it up where they used to put pattachitra paintings.

5:00

Lalitha Krishnan:  That’s such an honour. That’s fantastic. What is your creative process? How do you create a map-I don’t mean technically- but I want to know how you think you know, and how long it takes, who commissions these maps. How does it work?

5:23

Sudarshan Shaw: The process usually starts with intense research, which is both online and in the field. It’s quite impossible to do justice to ….(lost in translation)  with short timelines or deadlines. So, I try my best to gather as much as I can; so more of essence than information. I must say, the internet has negligent information on this so most of the interaction and interpretations have travelled orally with tradition or in folk art forms. So, the idea is to go through and explore as many of these. The next step is where Is it down to innovate a graphic style which is more often inspired but local art and traditions. Then, I design a layout and then spend about one to two months to complete/render it depending on the amount of details. Most of these maps have been funded by the forest departments of various states or other wildlife NGOs if not other private institutions.

Lalitha Krishnan:   Great. Being from Odisha, does practising the traditional art of Odisha come naturally to you? Is it something you learnt as a child or is it something that you learnt in art school?

6:45

Sudarshan Shaw: Naturally it was in my subconscious because we’d always be looking at these art forms on stone sculptures, wall paintings of different buildings in Odisha and also in homes, as I said earlier. But, consciously I started practising and grasping it after I visited Ranthambore wherein I first had that interaction with Phad paintings of Rajasthan. There are these common folk paintings of Rajasthan, wherein they had drawn stories from the wild in their artworks. For example, in the story of ‘Machhli’ the Tiger, wherein they had depicted the tiger in a very beautiful style in stories from its birth to its death and everything. This was the main reason why I started grasping art forms more and this is how I implemented it. I get a story from one place and try to incorporate the folk-art of that place into it (the art).

Lalitha Krishnan: O.K. That’s very sensitive and thoughtful of you to do that. You have depicted wildlife, for example, the striped hyena, otters etc that are also listed as endangered or vulnerable by the IUCN (International Union for Conservation of Nature) Tell us something about these. I love the little camera trap you have put along with the ‘Black tiger’, the pseudo-melanistic black tiger painting of yours. I don’t know if the Fishing cat’ (see podcast cover) is part of this series but that too just caught my eye.


8:27
Sudarshan Shaw: The Fishing cat was the first painting that I did for this series but that was also a self-funded one. The main idea always starts with a self-funded one and the Fishing cat was one of those. The idea behind drawing the Fishing cat was–which is also a mud painting by the way—during that time, I heard a lot about fishing cats. You know they are found on the outskirts of my hometown. It was very interesting to know that these kinds of creatures live nearby. So, I started looking at images of fishing cats in Odisha and West Bengal and other regions of India. I found images of fishing cats which are mostly nocturnal. The images were quite similar. Once I got a glimpse of a fishing cat drawn in the Kalighat form of painting in Bengal, and I saw a very distinct flavour to it. That cat was depicted holding a fish, it had a stance of its own and it almost looked like that fishing cat is Bengal and it was very different from that of Odisha or any other region of the world. So, a depiction of that species in that art form you know helped in sensitising the people of that particular region regarding that species. That was my whole idea. To incorporate that style and show the world that all these creatures have their distinct characters from the places that they belong to. That was my main idea behind that. The other artworks: the Smooth-coated (otters), the (striped) hyena, you know, they tagged along, people understood my reasoning behind the Fishing cat and they wanted similar species to be shown in their own characters so that they would help in spreading awareness and in sensitising people about the species.


10:30
Lalitha Krishnan: It’s true when you say, (species) have their own stance, their own character of the place. That’s an interesting take. You know, tigers have been part of the Indian psyche forever and they feature a lot in your paintings. I saw one of The 9 Tigers depicted in different folk styles which tells us so much in one go.
I also want to talk about the ‘Tiger Boundary’ piece which is nothing short of mesmerising.
I like that you said somewhere that the boundary in the frame instead of blocking in gives you the artist and the subject, in this case, the tiger, free reign. Did I get that right? What do you mean by that? And what draws to the tiger?

11:17

Sudarshan Shaw: Absolutely. Apart from being as popular as ‘T’ for Tiger, and one of the epic predators of the forest systems in India, I feel tigers are truly beautiful beings in all senses. They are as gentle as they are fierce, the air of pride and mystery around the creature makes them much larger than their actual size -which is both inside the forest and outside. So, what draws me and the whole forest and nation to the tiger are that it’s like another mystery. I never met a tiger in the wild. But fortunately, I met so many in folk art and in my imagination and they are all different from each other.
So, yes, as an artist I always felt conflicted about having boundaries around my artworks. On the face, the borders look like confinements, a kind of limitation but they are very common, if you observe, in all the folk-art forms of India. So, one fine day, during an interaction with a pattachitra folk artist, he was explaining to me why they drew borders on the canvas before they started the painting inside. That was the instance when I thought that is how tigers also mark the territories for themselves in the forest and both the artist and tiger would then paint their minds and live inside it. I could then understand how boundaries set by self, bring a sense of safety, depth of connection and commitment to our responsibility. All of which actually sets us free.


12:56
Lalitha Krishnan: Wow. That’s all I can say. You authored your first children’s book called “When a Forest Wakes up”. Congratulations. The name itself evokes a visual flood but the book is also very magical. Your interpretation of nature… where trees are antlers sending messages and elephants block out the sun and birds fly to flowers in gratitude for the colours and where hills are sleeping rhinos…it’s so wonderous and I can just imagine the wonder and oneness that any child will love. I believe you said, “The basic idea of the book is ‘breaking definitions”. Yes?

13:41

Sudarshan Shaw: yes, one of the ideas behind the book was to see beyond rigid definitions that we have set for ourselves. To dive into a world of imagination and the endless possibilities that it has for us. So, another idea behind the book was actually inspired by animism. A belief system by the various ancient indigenous communities in India, according to which everything from the stones to the mountains to the trees and rivers are living forces and beings bigger than us or just like us. All of these live in relation to each other.

I remember how we were taught in our school days that nature is full of resources and had multiple uses for us humans. And the distinction between biotic and abiotic, the living and non-living things. We have been told to see a river or soil as a non-living resource it would be very difficult to respect and have a relationship with them. This book is an attempt to change that perception from a very young age.

14:47

If I give you another example, of it, when we ask a child to see towards the sky and the clouds, they would always say the clouds look like different animals or objects and everything. Suddenly, with time, you’d see how the animals and the various objects turn towards being a single cloud. When you ask an adult, what is that they would say, “That’s a cloud. Either it’s going to rain or not going to rain. But when you ask the child, “That is a tiger”. “That’s a leopard…that’s a dinosaur” and whatnot. All those imaginations with time are suppressed and you know, along with the coming of rigid definitions, that ends it for us. So, I wanted to break that stereotype fear out of understanding and definitions.

15:38

Lalitha Krishnan:  You’re freeing my mind as you speak. So, I believe you have travelled to Uttarakhand–that’s where I live mostly–and walking in the forests there impacted you. How was it different and is that where you got your studio name. ‘Kyari’ from?

15:56

Sudarshan Shaw: Yes. Uttarakhand has been like a second home. I have travelled to Uttarakhand quite frequently as much as I could. You know, I was in college in Delhi so Uttarakhand wasn’t so far from there. Living there, you can totally understand how special the land is. It is almost beaming with life and beauty, to say the least, and ‘Kyari’ is a very small village near Ram Nagar in Uttarakhand and my studio name lends its name from it and the meaning of it; you know how kyari is a small nursery kind of thing where in they put up small plants and flowers. Then they grow wild from it. That’s the main philosophy of starting my studio wherein I’d be experimenting with different forms and art styles, and stories and those would be going into the wide world.

16:52

Lalitha Krishnan: A nursery of ideas. Lovely

16:54

Sudarshan Shaw:  A nursery I would say is one of my best teachers of all the ways I see the world and understand the world the studio is a lifelong tribute to that.

17:05   

Lalitha Krishnan:  I’d like to know briefly about the ‘My Pictures of Divinity’ series your visual stories about the turtle and sea, and the vulture and the dead e.g. though steeped in lore and also educating us about the animals’ role in the world and their vulnerability today.

17:26

Sudarshan Shaw:  Yes, I strongly believe that existence has its meaning in relation and not in isolation. So, my picture of divinity is the search for that godliness that lies in the relationship between the humble life forms that we see and the magnificent ecosystems of sustenance that surround them.  So, it is an attempt to override conventional portraits of God that centralised humans while all the legendary powers that they invented were inspired by the ways of the wild. So, it’s a tribute to our true ancestors, the teachers, the deities of the art of thriving and surviving. So, e.g.

I’d say, Uttarakhand and Odisha have been my main source for drawing this series. One story would be the Olive Ridley Turtles of the Odisha coast. If people talk about the species, they talk about the species in isolation but if you actually get to experience that place, you would see how the species is actually a connection between the land and the sea. It’s tying both of them together. That’s the beauty of seeing things in relation and not in isolation. –Sudarshan Shaw

18:40

Lalitha Krishnan: Beautifully put. Coming to my last question, could you share a word, concept or something you believe is important—you’ve mentioned a lot of things—something for all of us to know or imbibe.

18:59

Sudarshan Shaw:  Sure. So, being an artist, I’ll say a few lines on how we understand art and nature. For me, art and nature are two sisters of the same fate. Nature has been an inseparable part of native peoples’ being. Folk art has also been practised routinely by all in different ways and forms. So once, the colonial influences came, they alienated our art as a speciality which was quite pristine, exclusive and polished and very far away from us. They did the same to nature and wilderness which became (lost in translation). Art is the nature of all living beings; we must understand this. And, separating them in our words and worlds may have separated us from our true selves and denied us access to the strongest relations which are nature and art. So, I believe we can turn folk art for the reunion and reassurance for everybody, which is free too, we must draw, sing and dance to ourselves and our surroundings better.

20:14 So true, Sudarshan, thank you so much. You’re going to go a long way and all the best for your journey ahead.  I am so touched by everything you’ve said and everything you do. Thank you

20:29

Sudarshan Shaw: Thank you so much Lalitha.

Lalitha Krishnan: I hope you enjoyed this episode of Heart of Conservation. Do check out Sudarshan’s artworks. You might want to buy, commission it or gift it to somebody else or yourself. The transcript for this show will be out very soon on Earthy Matters (my blog). You can listen to Heart of Conservation on several platforms so check it out and spread the word, guys. Thanks.

Birdsong by hillside resident, the collared owlet.

All photos courtesy Sudarshan Shaw including Fishing Cat. Podcast cover artwork by Lalitha Krishnan

Disclaimer: Views, thoughts, and opinions expressed in the podcast and show notes belong solely to the guest featured in the episode, and not necessarily to the host of this podcast/blog or the guest’s employer, organization, committee or other group or individual.

Saving Thano Forest from an Airport Expansion Proposal

Great Slaty woodpecker pic by Sanjay Sondhi

Ep#21 Read the Show notes or Listen now.

Woodpecker photo:Sanjay Sondhi

Download a Preliminary Checklist of birds of Thano here created by Titli Trust and Cedar.

Thano forest overview photo courtesy Mr Lokesh Ohri

Let’s Talk about Thano. Ep 21 Lokesh Ohri. Abhijay Negi. Sanjay Sondhi. Show notes (edited).

Lalitha Krishnan: Hi, I’m Lalitha Krishnan and you’re listening to Season three, Episode 21 of the Heart of Conservation podcast. I bring you stories from the wild that keep us connected with the natural world. This episode is about the Thano forest in the Doon valley (Uttarakhand- the state where I live.) This forest in Dehradun has been in the news lately because the Uttarakhand government has sought the National Wildlife Board’s approval to transfer 243 acres of forest land to the Airports Authority of India. The what, where and why are questions everyone wants answered. You can hear the facts from three prominent Doon citizens who are my guests on this episode. Lokesh Ohri is an anthropologist, historian, writer, and a cultural activist & also the founder of BTDT which is the ‘Been There Doon That’ group. Abhijay Negi is a young activist-lawyer, also the founder of MAD which stands for Making a Difference. Both are active drivers of the #savethano movement. I am also speaking with Sanjay Sondhi, who is a well-known naturalist, founder of the Titli Trust, and community development and livelihood expert.

Lalitha Krishnan: Lokesh Ohri, Thank you for speaking with me. With reference to your article in the (Daily) Pioneer, you heard about these plans way back in 2003. This expansion will flatten a large chunk of the Thano forest. Could you start by telling us what transpired in that conversation? I think it’s important to know the history.

Lokesh Ohri:  Yes, so it was a meeting for tourism stakeholders which was happening in the Tourism Dept. and because I do several projects with the Tourism Dept. I was part of that meeting. The chief minister was also part of that meeting. He was addressing all of us. At that point in time, the Union civil aviation minister walked in. It was unscheduled. He was probably visiting Dehradun and he decided to call on the chief minister right there at that meeting. And, that’s where I first heard about this plan of expanding the airport and having the night landing facilities, because until now, Dehradun airport does not have night landing facilities.

Lalitha Krishnan: That’s right.

Lokesh Ohri:  We don’t have a lit-up runaway, we only have flights in the day time. So that was the time when the state’s civil aviation secretary first introduced this idea that perhaps we could have night-landing facilities and we could expand the airport. So, the minister questioned him about why they wanted to do it. The reasoning he gave at that point in time was that at times there’s a lot of congestion at the Delhi airport, So Dehradun being just 45 flying-mins away from Delhi, probably, the aircraft could here and give some additional business to the state. So that argument was rebutted by the (civil aviation) minister saying that these services would not be required because very close to Delhi we have a place called Greater Noida…in Jewar…we’re already building India’s biggest international airport. Even bigger than the Indira Gandhi Terminal which is the Delhi airport. So, all the night landing…if there is congestion or if there is fog in Delhi–which there is during winter-time, there is a lot of fog in Delhi—so, visibility being poor, the flights cannot land. So, he suggested that perhaps they could perhaps take a call later on. At that point in time, one of us realized that the expansion would happen at the expense of the forest. Right now, the airport abuts, you know, two areas. One is the Thano forest area and the other area on the other side, toward the western side is already an agricultural area. As long as the airport expands in the agricultural area and people get compensated for the land the govt. acquires, we don’t have any issue…we don’t mind expansion of the airport. But we are concerned about the 10,000 trees that will fall for this planned expansion. This has only come to light now because once we have seen the environmental impact assessment report of the National Airports Authority and then we’ve come to realise that this is what the government is planning. And that raises the hackles.

Lalitha Krishnan: I know. Doon citizens have been working for years to save the rivers. The Rispana has been given a special ‘perirenal stream’ status

Lokesh Ohri:  Yes.

Lalitha Krishnan: And this proposed airport also, if constructed will be close to the Song river. The implications of this for the river, for wildlife for all life around it, would be quite huge.

Lokesh Ohri:  Yes, definitely. It’s a huge cost involved.

Lalitha Krishnan: Right. There’s also talk of the airport not only being used for commercial flights, parking of the aircrafts in the night and stuff but also for use by the air-force- both of which according to you is really not necessary because there’s another (air-force) airport/base close by.

Lokesh Ohri: That’s a veracious argument. I think all the projects being undertaken in Uttarakhand now…so the moment people start opposing them, they use this, you know, a smokescreen to say that it’s because of national security. And all these people who are crying about the environment and ecology, these people are posing a security risk to the nation. So, I just wanted to counter that argument. What is the security issue? What about India’s water security? Because if the Song gets polluted, and the Song contaminates the Ganga, then one-tenth of humanity is at risk because the Ganga supports one-tenth of humanity in terms of its water requirements.

Lalitha Krishnan: True.

Lokesh Ohri:  Now, we already have two air-force bases. We have an air-force base at Sarsawa, near Saharanpur which is like, you know… an air-force aircraft takes about eight minutes to reach Dehradun from Sarsawa. We have another big air-force base near Delhi. I think…so most of these fighter aircrafts are super-sonic, stiff like that. They take a very, very short time to reach the Himalayan frontiers. So, if we already have air-force bases which already have air-force materials, how is a commercial airport going to help the security of the nation? That is something I don’t understand.

Lalitha Krishnan: Point. If it’s already there, why (build) another one?

Lokesh Ohri: So, I’m saying, because we already have these two air-force bases and we have air-fields much closer to the border…so we have two airfields, one, right in Pithoragarh and one in Gauchar which cover Garhwal and Kumaon—which are the regions on the India-China frontier. So, expanding the runaway in Dehradun means you are expanding it only for airbus flights to land. Now airbus flights are essentially commercial flights. They have no security angle to them. Now we have been talking to various agencies, like agencies under the Ministry of Environments and Forests. The sense I am getting from Delhi is that Uttarakhand as a state has been the most reckless in terms of forwarding proposals for infrastructure. They have not looked at the wildlife angle. They have not looked at the forest angle. And, they are very callous about the ecological angles. I am getting information that even states like Arunachal Pradesh, Sikkim which are much more precariously placed in India, in terms of security issues…they still look at the environmental costs in great detail. In the case of the airport in Dehradun, the forest land has been transferred to the National Airports Authority by making just one reference to the environmental angle saying that: “in conversations with forest officials it was found that no Schedule I species were found in the forest.

Lalitha Krishnan: Yes. That’s amazing because it’s called an Elephant Reserve. What were they thinking?

Lokesh Ohri: Why did they name it Shivalik Elephant Reserve if no elephants are found there? It is common knowledge. Even when we went to the protests, we saw deer marks on the sand. There are so many research papers that say that this is the last surviving habitat of the Great Slaty Woodpecker.  So, the Great Slaty Woodpecker is the largest woodpecker species found in the world—it’s the largest bird among all the woodpeckers in the world. The Thano forest is the last surviving habitat for the Great Slaty Woodpecker. And, you know, this is a highly endangered species. And even when we look at Schedule I, it has the elephant, it has peafowl; and all these species are very commonly seen in the Thano forest. Any person who has walked through the forest can tell you that these species are found there. So, what were they thinking, who was consulted? They said, “we have consulted forest officials”. They did not even name forest officials. That’s why I wrote in the article that if they had named forest officials, these forest officials should be sacked. If a forest official does not even know what Schedule I is, then how is he expected to know the other schedules. And it’s their job to protect the forests. That’s what they are paid for. That’s what they are trained for.

Lalitha Krishnan: What is said is so true in many ways. We are creating tourism infrastructure by destroying the very experience a visitor seeks.

Lokesh Ohri: Yes, it’s very ironical.

Lalitha Krishnan: Also, very sad. What next? When are they going to make this decision?

 Lokesh Ohri: Actually, they still need approvals from two key bodies, from the government. So we are working on a strategy that we should raise that much noise that these permissions do not come through. But, given Uttarakhand’s track record…they don’t even wait for the final approvals to come and they start work on the project. We have seen that in the case of the Char Dham Mahamarg project: 4 lane highways going all the way up to Badrinath, Kedarnath, (Gangotri and Yamunotri). They did not even conduct an environmental impact assessment report and just went ahead with construction. So, given that track record, we are also keeping all legal options open. We are collecting the data; we are consulting the lawyers. A lot of groups in Dehradun have come together. For the first time, I am seeing that all the environmentally conscious, socially conscious groups have come together and we are all working in a coordinated way so that a legal option is also ready.

Lalitha Krishnan: That’s good to hear. That’s hope. And I hope the Jolly grant stays the way it is. It’s so quaint and lovely. There’s a sense of homecoming when you reach there unlike these big commercial airports. Thank you so much for your time and for enlightening us about what’s happening on the ground. 

Lokesh Ohri: You’re welcome.

Lalitha Krishnan: Thanks Abhijay for speaking to me on the Heart of Conservation podcast.

Abhijay Negi: Most welcome and thank you for having me.

Lalitha Krishnan: My pleasure. As the activist founder of MAD which stands for Making A Difference by being the difference, you have spearheaded several environmental causes including river rejuvenation, wall transformations, plantation activities, earthquake relief operations, etc. You are an original Doon resident. Now with the proposed expansion of the Doon airport, up to 10,000 trees, they’re saying could be chopped down. This must be very close to your heart…as a resident of Doon. What does Thano mean for you? I thought let me ask you that first.

Protest Photo Courtesy MAD

Abhijay Negi: So, Thano means to me and to every nature-loving Doonite…one of the last remaining green spaces where you could hear birds talking in their own language, where you can spot the occasional deer. Where you can just be lost in the awe of nature and be at one with your inner self. People called Dehradun the city of grey hair and green hedges. It was meant to be this kind of a conservation bastion for the country, for the state. It was not a burden imposed on Dehradun. It came naturally to the Doon valley because it was a valley. If you look at Dehradun district or the Doon valley, it is uniquely placed between two major river systems of India. Ganga is on its east and Yamuna is on its west. When we talk of Ganga, four tributaries go into this river, and one of these main tributaries, which is the Song river comes and cuts across right through Thano.  Maldevta is also very close by. Thano is very close to the Rajaji National park and acts likes a natural bump (lost in translation) to it. That entire route to Rishikesh via Thano is also one of the most beautiful drives the city residents can find. So Thano means a lot to any nature-loving Doonite and therefore this crazy, crazy plan deserves to be opposed tooth and nail.

Lalitha Krishnan: Right. It is the prettiest stretch. Even going to the airport …it’s so lovely to drive through that forest. I’m always looking out to see if I will spot any wildlife and invariably, I see some beautiful birds, you know, and it makes my day. So, this approval hasn’t come as yet from the…

Abhijay Negi: National Board of Wildlife

Lalitha Krishnan: …and MAD and other concerned citizens have held protests to oppose this expansion. It’s been compared to the Chipko movement, right? So, tell me something about it. How did it start? How did you organise and get so many people to participate?

Abhijay Negi: Yes,one thing about MAD, if I can give you a small context, the organisation started functioning in 2011. And more than an organisation it is like a movement. Much before this entire talk about Swachh Bharat, we as teenagers who had just passed out from school had got together, pooled in our resources, and started organising activities every Sunday—because that was the time when we free. And, we used our own pocket money resources to conduct these activities.

Gradually, with time, we started realising that just us cleaning waste or us planting trees is not going to solve systemic or chronic issues which is why we needed to work on policy. Even before this Thano movement, MAD has been successful in protecting the teas estates in Doon valley near Premnagar where an equally foolish and hellish plan was being discussed which was to concretise the tea gardens of Doon valley. And, to replace the lush green tea estates with repulsive structures in the name of a ‘smart city’. So, we at that time, in 2016, had campaigned that we should first be making the existing city smart instead of trying to be the most unsmart people and concretise green areas.

In addition to that we have also been successful in pressuring the then Chief Minister of Uttarakhand—and directly so– because we went and met him -Mr. Harish Rawat in reversing the cycle ban in Mussoorie. Imagine, they were banning cycling. We had some success with that. So, this is probably the third or fourth major policy initiative of the government which we are opposing. I wouldn’t count the river rejuvenation here because that is something we are proposing. So, it is not just a group of opposition. Many people who are our detractors look at us as permanent pessimists. No. we do oppose anything and everything that has no green footprint. Which has no green thought. But that doesn’t mean we are people who are opposing things. Now coming back to Thano specifically, we have a very large volunteer base of around 50-60 youngsters who themselves get activated on such issues. And I would really, Lalithaji, attract your attention to some of the visuals of the Thano protest where you will see that all the banners that MAD volunteers carried…they were all carrying cloth banners.

Lalitha Krishnan: Yes, I noticed that.

Abhijay Negi: We didn’t use any plastic banners. We were wearing our masks, we were very conscious, and then too, we were on the streets because this required to be challenged. It was not just MAD as you rightly noticed. Several organisations, individuals turned (up) on their own for something like this. And, we will do it many times. All of us are loosely in touch. We are coordinating amongst ourselves (to) what should be the next step. MAD for one, has been organising daily nukad-nataks outside Gandhi park—I just got back from one this evening. We will be having one tomorrow, the day after. We are also planning a series of other protests. We are having meetings. We had one with the Principal Chief Conservator of Forests—a pretty disappointing one—none the less, we had one and we had one with the Uttarakhand Biodiversity Board.  And we have urged the biodiversity board to into this situation. So, we are doing all that we can to stop this both on the street and off it.

Lalitha Krishnan: That’s incredible. I was reading somewhere that you attended an internship in an ashram in Thano run by senior lawyer Mr. Mehta, is that right? I wasn’t sure what internship that was. Would you like to speak about it?

Abhijay Negi: Yes. In fact, I’m glad that you brought it up. It was in June 2015 that Mr. M C Mehta who is India’s most renowned environmental lawyer; he organised this camp at an ashram that he owns in Thano. There, we went for birdwatching…it was an experience of a kind where we were one with nature. We went into the forest, into the jungle, we heard the birds, spotted the deer, weren’t very lucky with the panther (aka leopard), but never the less we could always sense it around. That is how I can tell you that I know that place first hand. It is a beautiful place. That is why it is very sad for us to hear the Chief minister… The day before yesterday, he said, it’s a political conspiracy. He labelled all our efforts as a political conspiracy. And, it’s very sad that in the 21st century, for a hill state created on environmental issues—as one of the important issues why this state was created. And here we have a chief minister who would probably have even labelled the Chipko movement a political conspiracy. So anything that is celebrated worldwide would be a political conspiracy to him. He doesn’t even make the effort to understand these issues and that’s why we are trying to sensitize the forest dept., the Biodiversity Board… It’s just looking at it from the context of cutting and felling trees. It’s not just the trees. It’s an entire ecosystem you are jeopardising.  It’s the air of the valley. Nobody’s stopping them from going into Doiwala and buying private land. Please buy private land and expand your airport as you please. But, why do you have to so easily and readily come into the Thano forest like this?    

Lalitha Krishnan: What is the timeline here. What next? There’s a petition for it already.

Abhijay Negi: We are alert and prepared for any eventuality. If we get to know that they are actually getting on the ground with any tree felling our 100s of volunteers will be rushing there and stopping it be so physically. The second thing is we are preparing legally for all the steps we have to take. So far, we are still waiting to hear from the National Wildlife Board. We are trusting our institutions and we hope that the Uttarakhand Biodiversity Board specifically will play a role here. (It) will step up to save the biodiversity of the area that the government is so eagerly willing to put on the axe. We are also working with other like-minded organisations since this is genuinely a city effort. Several organisations are up in arms against it and we are coordinating with each one of them. At the same time, we are also working to get into a dialogue with this government. We plan to call upon the relevant bureaucrats, relevant ministers, if possible, even the chief minister to put forward our point of view and to request them to roll it back.  So, we will do everything in our power.

Lalitha Krishnan: Good to know. One more question. Does your activism come in the way of your career as a lawyer?

Abhijay Negi: Yes, that is why…I wanted to have this conversation myself in the afternoon. It does come in the way of my lawyering sometimes. If we do file a public interest ligation where I am representing the cause, then all the interviews and everything will stop. I restrict myself to the courtroom as our legal ethics require. I have been involved in several public interest litigations, even for environmental causes. One of them…we’ve got a stay on any construction activity between the Rajpur area of Doon valley which is on…………. (lost in translation), a stay on any blasting activity in the Nanda Devi Biosphere Reserve. We also have worked on the health care system in Uttarakhand wherein an ongoing public interest litigation we’ve asked all primary health centres, community health centres, and district hospitals to submit to a questioner that we have prepared. We asked them if they have the basics of health care. So, these are issues I am actively grappling (lost in translation) within the courtroom…in the Nainital High Court. So of course, I can’t generate public opinion on them as much as I might want to but since the organisation is involved here, and we are very, very ably led by Mr. Karan Kapoor who is the current president, who has been working very hard in facilitating all these meetings. And with several volunteers, who are also up and doing the job, the movement goes on.

Lalitha Krishnan: I wish you all the best for your career and your activism and thank you for your efforts.

Abhijay Negi: Thank you for having me Lalithaji.

Lalitha Krishnan: My pleasure. This is close to my heart too because the thought of it (Thano ) disappearing forever is not acceptable.

Great slaty woodpecker photo courtesy Sanjay Sondhi

Lalitha Krishnan: Sanjay, thank you so much for speaking with me on the Heart of Conservation podcast. As a naturalist, I’m sure you’ve gone to the Thano forest a zillion times. Could you tell us a little about its biodiversity, the species, or what it is you love about it?

Sanjay Sondhi: So, you know, we’ve been going to Thano on multiple occasions in the last decade and I think close to  Dehradun, it’s one of the best bird-watching sites you can have. In fact, in recognition of this, its bird diversity, the 5th Uttarakhand Spring Bird Festival was held from 9th-11th March by the Uttarakhand Forest Dept. and during the festival, we released the Preliminary Checklist of Birds of Thano. At that point in time, the checklist was 175 birds. Of course, this is just a preliminary list because even during the festival, we added another 6 or 7 species. My estimate is that it would have more than 250 species if properly surveyed. It’s incredible.

Lalitha Krishnan: That’s incredible. And there’s so much there than just birds. The forest itself…the trees over there…what species of trees are more common.

Sanjay Sondhi: The forest itself, it’s a lot a broad-leaved forest. There’s a lot of sal over there. It’s a great spot for woodpeckers. I’m sure other people have also mentioned that it’s one of the few locations close to Dehradun where the Great Slaty woodpecker can be sighted.

Lalitha Krishnan: Which is (IUCN) vulnerable, right?

Sanjay Sondhi: Which is IUCN Vulnerable listed. Absolutely. You will not believe it that if you go to Thano, and you stand just in front of the forest resthouse, just standing beside the road, you will spot between 30 – 35 species in the forest around. Just standing in one single location. That’s the kind of avian richness the forest has.

You’re right, it’s not just birds. There are butterflies, there’s a lot of other stuff which actually hasn’t been properly documented. The butterflies… has just been opportunistic. We’re out there for a bird walk and whatever butterflies we see we document. But the quality of forest in that area is such that it’s clearly a biodiversity hotspot. And, to be cutting that to build an airport which is not required is just a travesty of justice I think.  Somebody said we need fresh air.  We don’t need more planes and another airport.

Lalitha Krishnan: Yes, and nobody is talking about the noise pollution that airports create or an international airport would.

Sanjay Sondhi: Correct.

Lalitha Krishnan: But Thano is not a designated hotspot is it?

Sanjay Sondhi: No, I don’t think there’s a formal designation as a hot spot but…There are designated important bird areas…I don’t think it is even designated as an important bird area but solely by the number of species that we see…and not just birds but other things…it’s a very, very rich biodiversity hotspot which is so close to Dehradun and so easily accessible.  

Lalitha Krishnan: Right. Sanjay we’ve covered the wildlife, but you also wanted to speak about the people in and around Thano.

Sanjay Sondhi: I said, Thano is such a biodiverse area and if we develop it properly, it has such a great potential for birdwatching, homestays with benefits going to the local community. In fact,  Titli Trust-that’s our NGO and Cedar, jointly we are running a nature guide training programme for rural youth which extends from Thano to…………jheel  and it’s a 2-year programme where we’re training local youth in that area to become bird guides and nature guides in the hope that it becomes a livelihood opportunity plus they are strongly focused on conservation because if the biodiversity is not there, they won’t earn anything from nature guiding. And the response has been great. There have been lots of people who have joined and the youth is very enthused because they see this as a win-win where they earn from the area’s biodiversity and they also help conserving.   

Lalitha Krishnan: And they can stay at home rather than leave the state

Sanjay Sondhi: Absolutely. And the benefit goes to the local community who belong to that area. What could be better than that?

Lalitha Krishnan: Right. Absolute win-win.

Sanjay Sondhi: There’s no better incentive for conservation than livelihoods that they can earn living in or near their home.

Lalitha Krishnan: It’s a great initiative. Thank you for this Sanjay.

( I hope enjoyed episode 21 of the Heart of Conservation podcast. I’m Lalitha Krishnan. You can read the show notes on my blog: Earthy matters. If you want to know more about the Thano movement, or about the work my guests do there’s lots of information on the net. You can also hear my podcast on Spotify, Soundcloud, Google podcast, or apple podcast, or other platforms of your choice. Till next time, stay safe and keep listening.)

Collective Wisdom:The Best From My Guests Ep#20

Listen/Read: 2 Seasons’ worth: Conservation-related Terms, Novel Ideas, Inspiring Messages & Reasons for Hope.

Hi, I’m Lalitha Krishnan and you’re listening to Heart of Conservation. I bring you stories from the wild that keep you connected with our natural world. This is Episode #20 the last episode on season two. I am ever so grateful for your support and encouragement. I hope you are looking forward to Season 3 as much as I am. Episode 20 is special because I bring you the best of my guest so far. At the end of every episode, I usually ask my guest to share something that’s significant to them. It could be a new word for us, a novel concept or idea we could adopt or their thoughts, views and hopes. I hope you enjoy this collection and rare opportunity to hear from the best.

Dr. Pasang Sherpa: the only Sherpa Person with a Ph.D. in Anthropology Studying the Sherpas #1

Dr. Pasang Sherpa: I don’t think it’s my favourite word necessarily but I have been thinking about it a lot lately. It’s the word ‘Anthropocene’. The word ‘Anthropocene’ comes from the ancient Greek word: ‘antropose’ meaning human and ‘cene’ meaning recent. This is referring to the geological epoch and talking about current times when human activity is dominating the earth’s systems. The reason I’m interested in that is that I am spending a lot of time thinking about the Himalayas and why it is scared for us Himalayan people.

I’m also trying to connect this notion of sacred Himalaya with the ways people are thinking globally in terms of anthropocine, the new geological epoch. To me, this is interesting because, first of all in the Himalayas, nature, and human have always lived together. I don’t think humans are perceived as more important or above the natural world, which is the case for the western way of thinking where humans are considered above nature and control nature. From those ways of human nature relationship, I wonder what and how we can think about ‘Anthropocene’ and how it might be relevant to the Himalaya we know. So I‘m also wondering if it’s relevant. On the other hand, living on this planet-if, we consider ourselves global citizens-it might be important for us to think about what ‘Anthropocene’ is and where the conversations about the Himalayas fit in these larger global discussions of this new geological epoch. So those are the kind of questions that are in my head these days. That’s my word contribution to you.

Ajay Rastogi. The Pursuit of Consumerism and Science of Happiness Ep#7.

Ajay Rastogi: All species—you are a dog lover and you have had dogs practically all your life—if you look at their behaviour, do you see them carry grudges? I think if we can stop carrying grudges, start looking inside and with that reflection, try and bring integrity into our lives: then what I am feeling inside I’m trying to act outside as honestly as I can. Lalitha is also doing that. Chingoo-Mingoo is also doing that. Then I think we’ll make a better society. So my keyword is integrity. My only thing is if we can value the privileges we have, then let go some of it so that others can have an equally good life. But we are still insecure and I don’t know why, despite everything going.

Dritiman Mukherjee: The Philosophy of Photography. EP#11

(From original podcast:There’s a disconnect between the natural world and the masses and mostly I found, many policymakers are also disconnected with the natural world. So, what I am doing right now, what I am very much concerned about or what is very relevant for this time to me, is about ‘inclusion’. Inclusion of our ecosystem, in regular policy, social structure, everything. Because there is a disconnection, it is not included in our social system. So, whenever we see things, it looks like it’s separate. When we talk about development, we feel like nature, ecosystem, the natural world, forests…is a separate world from the word ‘development’. Actually, it is all included or inbuilt. When we talk about development…if someone is doing some deforestation, and we ask, why are you doing this? They say it’s a need for development.)
Development is about keeping the ecosystem inside. Do everything but keep the ecosystem intact. It is about inclusion. It is inbuilt. So, I feel we have to understand that we have to all of this into our regular system. For that, we have to connect the entire masses with nature. I do photography for this purpose. Photos are the strongest tool to connect to people emotionally

Bhavna Menon: Saving the Wilderness Through Community Participation Ep#14

Right. Mine would be inclusion and acceptance. Actually two words maybe, almost meaning the same thing. It’s a word I choose or associate with conservation very deeply because had I not accepted the people/community members around tiger reserves for whom they are…because Last Wilderness believes you should not change people. You should work with them to understand them and then find a solution together. So acceptance and inclusion are extremely important. They have accepted me for who I am so and so have I…which has helped me work for the past nine years in conservation and enjoy every bit of it.

Rohit Chakravarty and Pritha Dey: BatMan and Moth Lady Ep#12

Pritha Dey: What concerns me at the moment is the ongoing insect species decline that we see globally. It has gathered attention from scientists and politicians alike. We need more young people to be interested to study lesser-known taxa or less charismatic taxa from a country which is so hugely biodiverse like India. With the right techniques and tools, India has the potential to stand out in insect conservation. I would really reach out to the young people through this conversation that: Please be interested more in moths, butterflies, and other insects. Apart from science, it’s very important to reach out to the non-scientific community to achieve larger conservation goals and I would end by saying there’s a famous scientific article by the scientist, EO Wilson which says that:” Little things that run the world”; he talks about insects and arthropods. As long as you believe that so that’s the message that I would like to spread through this conversation.

Rohit Chakravarty: So, every animal tells a different story about the world. And, only when you study them, you understand what story it conveys and how you should protect its world in order to save the animal itself.
The other message that I would like to younger people is to have faith in science. To not lose hope in science and to develop an objective view of the world; not a subjective one. And to include science in the way we conserve species. Science is not the end result and it’s not the destination but it’s definitely something important we need to incorporate it in conservation measures.

Dr. Dinesh Vinherkar: The Turtle Healer Ep#4

Volunteer Sagar Patel. (Translated): Our motto is: Go forward, don’t see backward. I’m Sagar Patel. I am a committee member of WCAWA. I have been working here for the past 7-8 years. Our main problem is to rescue injured turtles that are caught in nets. Once they are out, we treat them and once again return them into their natural habitat. Our area falls in the green zone. There are a lot of snakes here. Why should we rescue snakes? Snakes actually eat rats. They help farmers. Where do snakes come? Snakes come where there are rats. Snakes follow rats into homes. Earlier, people here used to kill a lot of snakes. When we started an awareness programme, the mortality rate of snakes came down. They call us when they see a snake and ask us to rescue it. We get 15-20 calls per day..we rescue that many snakes per day…..What is possible for us, we do. We don’t have proper facilities, we do the best we can with what we have.

Dr. Dinesh Vinherkar: All these volunteers have been here before me. From childhood maybe, some have been involved in this great work. They are doing amazing work and I am very happy to say that they are doing this voluntarily without thinking of any gain they are going to get out of it. Of course, when our centre will grow, I will definitely see to it that each one of them will have some livelihood doing something they love. I don’t want them to do some work where they don’t have any interest. Their whole interest is in wildlife so they should get a good job here itself and they should do whatever they love. Because I feel what you love, you will do with more interest. They have this beautiful interest.

You call them at two o’clock in the night, you call them at three o’ clock in the night, within one call, they will be standing in front of you.

Wild Otters Pvt. Ltd. A Business Model for Conservation? Ep#10

Katrina Fernandes: Wild otters was started as a sole proprietorship. The aim was always to create a sustainable business model for conservation in the sense, trying to…rather than depending on funding and all the time writing grants, this, that and the other —sort of just trying to generate some sort of income to keep the place floating. That was the idea. Subsequently, we also realised that is not even possible. In terms that you can’t sell research. You can’t monetise research. You can’t make money out of pure research. You can do things that kind of help in other ways which is the internships and volunteers programmes, the workshops and the training programmes. So we do a bunch of those things. We get students from all over the world who do their placement years and their internships. We are also working with schools. We are working with one particular school called The Learning Centre which is into experiential learning. So everything is more tangible, more tactile, more outdoors and stuff like that. We are also working with The Owl House, with neurologically disabled kids. We do things with them like building insect hotels, also again tangible because we are trying to get them to be outdoors, tactile, using motor skills and stuff like that.

Katherine Bradshaw: So ‘spraint’ is otter poop and we mark this using a GPS device so this GPS device marks the exact point where this spraint is. And we can use this to create maps of otter activity and this allows us to see month to month where otter activity is and high activity and low activity and if they’re on the move.

Vijay Dhasmana: Rewilder of Urban India Ep # 3

This term is relatively new. And it is a convenient term because you know scientists use various kinds of terminology. But, in landscape terms, I think rewilding fits pretty well, where it’s also self-explanatory. Rewilding. Wilderness is the approach to the landscape treatment. Essentially what rewilding means is any fissured land, any landscape damaged due to human activity is restored to what one thinks—after referring to enough documentation, visiting forests and landscapes around then—and then imitating from nature and recreating those landscapes which were damaged. That, in a nutshell, is what rewilding is.

Rewilding is important as a vocabulary because it has its own direction. It has its own momentum. Rewilding. It’s not an ornamental garden path but re-wilding which is all-inclusive. It’s inclusive of the plant community, animals, insects, birds, higher plants, lower plants –all of that. So I think it is a sweet word.

Dr. Sejal Wohra: Intrepid Woman Leader Ep#5

Dr. Sejal Wohra: It’s not necessarily a scientific term but I think the term of great importance in the conservational and environmental movement, which is ‘consumption’. To me, the future of this planet lies in us individually and collectively as human beings, to really question whether we need so much. I am as guilty as anybody else on that.When I look around and see just stuff— I think do we really need all this? If all of us humans lived with what we need this would be a very different planet. Unfortunately, the model of development that we have today is geared entirely towards consumption. It’s about getting people to consume more. Economies and countries thrive and build their economies on consumption rather than on sustainability. My dream is that we actually start questioning the whole concept of: “ Do we need to consume so much?” And we’ll have a different planet.

I’m going to make a plug here for some friends of mine who have started a very interesting venture. It’s called, ‘We share’. And the idea is to not buy stuff but to share stuff. They are going to set up a web platform where it will be a platform for sharing. So, it’s things that you buy but you only going to use once. Or you might just need now and then. And you can share it with others. So everybody starts buying less stuff and start sharing more stuff.

Bill Aitken: Nature as the Footprint of the Divine Ep#19

I give you that quote from Salim Ali, I thought I’d written it down I haven’t, anyway it’s to the effect that, you know, there are so many problems for a wildlifer that you just look on the bright side and just get on with what you love doing, don’t be weighed down by all the problems.

(The original Salim Ali quote: ” Be more realistic. Accept that we are all currently sailing through turbulent waters and should therefore avoid frittering our efforts on inconsequentials. In other words, be constructive and revel in the simple joy of life”-Salim Ali)

Mrs. Gandhi was a great wildlifer and he regretted that he hadn’t sort of pushed her to do more, but the main thing is, you know, stay positive because the worst thing is if you give up then nothing is going to happen. You have to see the bright side, just look on the bright side.

Cara Tejpal: Eco Warrior Ep#9

Another one of my focuses over the years has been on Asian elephants and Asian elephants conservation. I think what I wanted to talk about is both the inspiration I receive from nature and the heartbreak of working in conservation. That’s something we don’t talk about often.

So, a few years ago I ran something called the ‘Giant Refugees’ campaign with co-campaigner Aditya Panda, who is Orissa based. I had been hearing about this herd of elephants who have been trapped on the outskirts of Bhubaneshwar from Aditya and my mentor, Prerna Bindra; and this one year, along with my cousins who are filmmakers, we decided to visit. What we witnessed was so heartbreaking. It was a mob of 300 men harassing a herd of elephants. It was absolutely savage on the part of humans not on the part of wild animals. I’m bringing this up because it was such an emotional moment for me. It was one of the first big campaigns I ran and it fizzled out after a few months. I learned a lot of lessons from it and I hope to revive it soon. But I think why I brought this up is because of a conversation I was having with many of my conservation colleagues and friends is a feeling of the absence of hope. I think we must all adhere to this religion of conservation optimism because that is the only way we are going to be able to inspire others. If all we project is a sinking ship then no one is going to want to stay on it.

Aditi Mukherji: What the Drying of Himalayan Springs Means for India Ep#14

I’d like to talk about ‘aquifers’. An aquifer is basically the water-bearing layer. We can’t see it because either if you’re living in the plains then it’s under the ground; in the mountains, it’s basically inside the rocks. It’s super important because the aquifer is where all your groundwater storage is. India completely depends on groundwater. 60% of our irrigated area gets irrigated from groundwater. 80% of our drinking water comes from groundwater. If we don’t take care of our aquifers, don’t ensure that our aquifers are not overexploited, our aquifers don’t get dirty, we would never have water security. That’s the word I would like your audience to know: ‘Aquifer’ which is the water bearing layer from which our life-saving water comes from.

Suniti Bhushan: Reconnecting Children to Nature Ep#6

If I may, there are two words…that have played a major role in my life. One is this is called ‘Nature Deficit Disorder’ which is I heard about 10 years ago. That has influenced a lot of what I do today. Basically working with children and getting them aware of nature, aware, of their surroundings, aware of their environment.

But recently, as I mentioned earlier, I became aware of this term ‘Plant Blindness’ and that actually struck a chord with me. Even when I am walking like just now when I was walking from the Hanifl Centre to your house, I was very aware of the fact that there were certain plants that were blooming- which are still blooming after the monsoon…The oak trees were getting new set of leaves and the ferns were going brown. The concept of plant blindness seems sad to me. That somebody can walk down a street even a city avenue street and not notice the trees or not know anything about the trees. Yeah, that struck a chord with me. I think it plays into the whole nature deficit disorder, which is also affecting adults. I know certain adults who have no clue. They live in cities…I mean two trees put together for them is a forest. Many of them are not aware of how nature affects us. Or how nature is good for our health. In many ways, a lot of mental illnesses in children are because of this nature deficit disorder because they are not exposed to greenery, they are not exposed to fresh air…the sheer peace of a forest.

Lalitha Krishnan: Fresh air is becoming harder and harder to come by.

Suniti Bhushan Datta: Yes it’s harder and harder to get. So, these are two terms that really struck a chord with me. One of them like I said very, very recently.

Lisa Mills: How Every Single Cup of ‘Elephant-Friendly’ Teas Counts. Ep#16

I think for me, I want to make sure that the message is that we don’t necessarily want people to drink less tea. That is not our message. Tea is an affordable beverage that people can enjoy. It has health benefits and anti-oxidants. We don’t want people to shun away from it because they are afraid that it is harmful to elephants. Think about the industries that could take its place. That could be much more harmful to elephants. I think my message is encouraging good farming practices with things like certification but also other things. Knowing who your farmer is, you know, knowing what their practices are, make a difference. Not just for tea but for about anything in kind of that your relationship between where your food and beverages are grown versus just blindly picking up products. You know, it’s such a powerful force for change.

Sanjay Sondhi: Nature Conservation and Livelihoods Ep #8

I think for me, there are two words that are really really important.  And they go together. it’s not a fancy word – it’s ‘conservation’ and ‘livelihoods’. I believe the only way to conserve landscapes, species, flora, and fauna is to involve the people that live in that landscape. And the only way we can get them to conserve it is if we incentivize conservation by offering them a livelihood that incentivizes conservation. if they are actually earning money from saving their forests, that’s probably the best way to link conservation and livelihood.

Nina Sengupta: Your Guide to Urban Foraging Ep#18

Now the edge effect. You can have both, a positive and negative tilt to that. Edge is something that you create, it’s not always the ecotone, not always the natural boundary. Suppose I have a boundary of the forest, the natural boundary of the forest and grassland, that is an equal ecotonal area, that area will have more species but say I have cut a forest, I have cut a road in the forest and have created an edge, that edge is the boundary between the two communities, like nothing and forest would also have quite a bit of different, you know, different creatures but usually they tend to have the more generalist species. So suddenly you are favoring the generalist species rather than the forest dweller one, so it has, it can have negative impacts also and therefore, you know, as an ecologist always say that if you were actually… have a forest is better not to have it fragmented, better not to have a cut a road or cut a railway through it because you are creating more edge and that will actually affect the forest interior species or the overall health of the forests.

Salvador Lyngdoh: Wolf Biologist from the Himalayas. Ep # 2

A scientific term that I really like is: ‘keystone’. It’s like the keystone in a house…for an arch. If you have an arch, you have a keystone there. The keystone holds together a lot of things in an arch… if you have a bridge or something. The keystone is the stone that holds together the structure of the bridge. If you remove the keystone the whole bridge and arch collapse. That is one thing –that certain species or elements are keystones for conserving- many things revolve around that. Many things are also connected because of that. For e.g. you have fig species which are keystone species. A lot of animals and birds depend on the fig species.

Sometimes they are also called ‘framework species’- ‘Framework’ as they build the framework for everything. If you have these species in the beginning, then what happens is, ultimately the natural flow come in and it attracts a lot of animals and dispersers…those who feed on it ultimately disperse seeds. That’s how they act as a framework and support the entire framework also.

Keystone is one word I really like when you try to understand ecology in that sense. Sometimes keystone species can be called framework species.

Another term like that which I really like is ‘Trophic cascade’. We were talking of Yellowstone wolves and how they have a cascading effect. At the top level, you have these predators that regulate the prey population …the elk and the moose. In the Indian case for e.g. you have tigers that as top predators regulate a lot of the prey in the ecosystem. That way they control a part of the forest health as well by preventing the prey population from going over the carrying capacity as we call it. That way we try to understand how everything is connected with each other. I’ve given you three words. Keystone, framework and trophic cascade.

Almitra Patel. The Garbologist India SHould Thank for its Solid Waste Management Rules.Ep#13

There may small, small brands who are all making detergents for the big guys and they refuse to lower the phosphorus content.

Phosphorus is what is called a limiting nutrient. If you cut off the phosphorous, you cut off the aquatic plant growth. If you give phosphorous, it’s like a special booster nutrient for aquatic vegetation. Just like what urea or nitrogen is for land crops, phosphorous is for aquatic vegetation. So it’s so simple. I’ve been saying if the government doesn’t want to bite the bullet and restrict it at least make it mandatory to label the phosphorous content in detergents so that environment-conscious citizens can buy a low-phosphorous detergent. It’s an ongoing battle which hasn’t been won yet. But we need more voice to demand it.

Rita Banerji: How India’s Leading Wildlife and Environment Filmmaker Became a Catalyst for Change Ep#18

I think the word which comes to mind, there are many words actually, I guess, you know one of the things is interdependence, right, what we see in nature, right, I mean, why interdependence? Because there’s something in nature that lets (one) survive based on each other’s qualities, right?  If there is respect for each other’s way of being, nature is the best teacher in that sense, right? How to survive how different… like there will a canopy, there will be a fern, there will be a leaf, there will be a frog, probably but everybody is dependent on each other strengths for survival. I think if, we can learn that, even in the way we are with the way a way of being you know where we understand that we cannot operate alone as a single person. We are interdependent on each other for so many aspects of our being and if we respect that interdependence, I think, it can solve a lot of issues of protecting it. Whether it’s to do with protecting our forests, whether it’s to do with respecting human rights, whether it’s to do with the egos for example. So, I think, that respecting interdependence and learning from nature I mean that’s the best teacher I would say.

Lalitha Krishnan:. I hope you’re enjoyed this episode of Heart of Conservation. I’m Lalitha Krishnan and , if you haven’t already, so subscribe to my podcast. It’s available on most on most platforms like Spotify, Apple Podcasts, SoundCloud… You can also read the transcripts or show notes on my blog: Earthy Matters . I would love your feedback. Write to me at earthymatters013@gmail.com Look our for Season Three, coming soon. Till then, stay safe, keep listening.

Birdsong by hillside resident, the collared owlet.


Disclaimer: Views, thoughts, and opinions expressed in the podcast and show notes belong solely to the guest featured in the episode, and not necessarily to the host of this podcast/blog or the guest’s employer, organization, committee or other group or individual.

Batman and MothLady

Ep# 12 An Interview with Rohit Chakravarty and Pritha Dey.

EP#12 Show notes (Edited).

[Photos courtesy: Rohit Chakravarty. Top-L-R Clockwise: Leisler’s Bat (Nyctalus leisleri), Eastern Barbastelle (Barbastella darjelingensis), .Woolly Horseshoe Bat (Rhinolophus luctus), Kashmir Long-eared Bat (Plecotus wardi), Pearson’s Horseshoe Bat (Rhinolophus pearsonii)]

Lalitha Krishnan: Hi. You’re listening to Episode 12 of the Heart of Conservation Podcast. Your very own podcast from the Himalaya. I’m your host Lalitha Krishnan bringing you stories that keep you connected to our natural world. Today for the first time I am speaking to an interesting young researcher-couple who are both experts in their fields. Pritha Dey and Rohit Chakravarty. Pritha’s doctoral work included the study of insect biodiversity loss due to anthropogenic disturbances. My second guest is Pritha’s husband, Rohit Chakravarty. He is a bat biologist currently pursuing a PhD at the Institute for Zoo and Wildlife Research, in Berlin. I met Pritha during a butterfly workshop in Devalsari, Uttarakhand and her knowledge and presentation on moths just blew me away. And so, I invited them to be guests on my show.


Pritha, Rohit, thank you so much for being on Heart of Conservation Podcast. It’s so fascinating to interview researchers anyway but to interview two who are a couple is a special bonus, I think. It’s intriguing that both of you are researching nocturnal creatures. Both of you have travelled in Uttarakhand in pursuit of your subjects. Let’ start with the basics. So Pritha, why moths?


Pritha Dey: Hi Lalitha, thank you for asking us to talk to you about our research.

Lalitha Krishnan: My pleasure.

Pritha Dey: We are highly interested to talk about our research all the time. It’s new for us that both of us are doing it at the same time. So, I’ll start with my pursuits of moths. I finished my Master and immediately joined Wildlife Institute of India where there was a project to document the diversity of moths in twelve different protected areas. Initially it is was just the excitement to roam about in different places and studying moths but eventually, I started reading about them and learning about moths. What intrigued me most was how diverse they are and at the same time how understudied, they are…being ecologically so important.

Lalitha Krishnan: OK.


Pritha Dey: And the myths that we find in movies, that they are evil creatures are absolutely not true. I wanted to look into that more and yes, that’s why moths.


Lalitha Krishnan: I think you have passed on a little of that love to all of us who heard your presentation at the butterfly workshop. I for one was totally inspired and now want to know more. Rohit how about you?

Rohit Chakravarty: Yes, it’s a privilege to be on HOC. I would simply say I chose bats because more than half of India is busy looking at tigers, leopards, lions, elephants, bears and all other charismatic animals. It started off with me looking for an empty niche for my research but in the end, it just took me beyond that empty niche. As we’re going to talk more about bats, we will hopefully convince the audience that bats are rather extraordinary animals. So more about that as we talk.


Lalitha Krishnan: Definitely. So Pritha, you completed your Ph.D. on the diversity patterns of the Geometridae family of moths along the elevation gradients in the western Himalaya. Could you tell us about this family of moths? And why you studied them in the Himalaya?

Pritha Dey: So, when I started working on the project on moths in the Himalayas, I found this particular family called the Geometridae family or commonly known as the Looper Moths. They are very abundant in mountain habitats. In mountains, you find them in huge numbers and they exhibit amazing variation in wing patterns and are hugely diverse with about 24000 species worldwide. Their taxonomy at the same time is very challenging and interesting. So, my idea was to work in the mountains and merge it with moth-study. So, moths and mountains were the ideal study group for me. I chose the western Himalayas because it’s very interesting biogeographically as the tropical and the temperate elements kind of merge in this part of the country and we find very interesting diversity across all taxa. It is far less diverse than the eastern Himalaya where you find double the number of species of moths or other taxa. Yes, this was very interesting as a study group as well as a study area.

Lalitha Krishnan: Great. And the combination of moths and mountains just works right? And Rohit, correct me if I am wrong, I read that there are a thousand species of bats. Right? How many bat species do we have in India? There are so many myths about bats in general. They are not your everyday mammal either. What is the role of bats in nature?

Rohit Chakravarty: You’re correct about the 1000 species. There are close to 1,300 species of bats in the world. India has about 120 species so we have a really large diversity. And, bats are actually the most diverse group of mammals in India. They even outnumber rodents in India. You’re right. Bats are really not your everyday mammal. They are way more extraordinary than most mammals we come across in our day to day life. They are the only mammals that can fly. They use ultrasound to navigate and they have very long lifespans. From the point, for an animal that is barely the size of a mouse, it actually lives way longer than a tiger would.

Lalitha Krishnan: Wow

Rohit Chakravarty: So, bats are really long-lived and their role in nature… There are two broad categories. There are fruit bats and there are insectivores bats. So, fruit bats pollinate flowers and they disperse seeds of different trees. Some of the flowers that they pollinate include extremely important cash crops like agave and durian. Durian is a very important food plant.

Lalitha Krishnan: Of course.

Rohit Chakravarty: Agave is the plant that is responsible for producing tequila.

Lalitha Krishnan: Yes.

Rohit Chakravarty: So, without bats, there won’t be any tequila. People are also trying to find out more about how bats are important in systems that produce cocoa. There might be many interesting results coming out soon. Insectivores bats eat tons of pest insects, which also include moths, unfortunately.

Lalitha Krishnan: I know, I am going to ask you about that. That’s interesting because considering there are so many bats, we barely see them. And now, you’ve added a twist by saying they pollinate agave. It just made me think, do people actually breed bats by any chance?

Rohit Chakravarty: I’m not sure about it. People don’t breed bats for economic benefits. The only breeding facility that I know of is for research. Not really for economic benefits.

Lalitha Krishnan: OK. Pritha, tell us about the whole moth’s attraction to the flame/the whole moon connection and how many species of moths there are in the world and the Himalayas?


Pritha Dey: We are all very familiar with the phrase,” Like moths to the flame”. Actually, it’s very interesting. It’s very unique to this group of insects that their communication or orientation is towards the light. There’s a theory called the light compass theory which means that they orient their flight towards celestial light. They try to keep the celestial light parallel and orient their flight towards the moon. So if we put any artificial source of light in their pathway, they get confused and try to orient their flight along that pathway along with that artificial light. So you mostly find moths flying in a circular manner around the lights in our houses or street lights if you see them. So that’s the reason. It’s kind of confusing for them so they fly towards the light and we are increasing their confusion by adopting artificial illumination. It’s kind of hampering their ecology.

Lalitha Krishnan: It’s like we know the way home but we use Google maps and end up in some small lane right?

Pritha Dey: Absolutely. Talking about the number of species, India has about 10,000 species of moths. I cannot even imagine how diverse they are. In the Himalayas, the eastern Himalayas have 50-60% of the total diversity, which is 5000-6000 but if you come to the western Himalayas, it’s only 20-30% which is an estimated 2000-3000 species in western Himalaya. You can imagine.

Lalitha Krishnan: Yes, and a major part of it is unexplored right. Both in the west and in the east?

Pritha Dey: Right. When I started out, I was the first person to study moths in Nanda Devi Biosphere Reserve…

Lalitha Krishnan: Oh wow. Nice.

Pritha Dey: …to document them properly. So, such important areas are known for other kinds of wildlife but we don’t know much about moths from such a biodiverse state like Uttarakhand.

Lalitha Krishnan: I’m glad you’re doing that and you can have a lifetime of doing that if you want. There are so many moths. Rohit you did mention that bats are the only mammals that fly. Do they migrate like birds do?

Rohit Chakravarti: They do and we know very little about that in India. Most of the studies on bat migration come from Europe and the US. Because the bat’s flight is not as efficient as that of birds, they cannot fly to the same order as birds do. Some birds can migrate from one pole to the other but bats are not capable of that. The maximum distance that they can cover is about 1000-3000 km.

Lalitha Krishnan: That’s quite a bit.

Rohit Chakravarty: That itself is a lot for an animal of that size. The interesting part though about bat migration is that unlike birds that migrate to remain active in a warmer climate, a lot of bats actually migrate and then they hibernate in much warmer conditions and much cooler conditions. So, bats do all sorts of interesting things that are rather unusual from the point of view of birds.

Lalitha Krishnan: Did you say to warmer and cooler conditions?

Rohit Chakravarty: Yes, I say that because particularly the studies on bats migrating on mountains have shown that the females go lower down because they mate just before migrating. So, they have a growing embryo in them; the females carry a growing pup and they have to remain active for some period of time in order to let the pup grow in their body. But the males do not have any such pressures so what they do is they actually migrate uphill to much colder conditions where it is easier to go into hibernation. It’s just like us sleeping in winters. We tend to sleep longer in winter because it’s much nicer to sleep in colder conditions. It’s much easier for us to fall asleep in colder conditions so that’s what the males do.

Lalitha Krishnan: Ok and save energy, I guess.

Rohit Chakravarty: Yes.

[Photos courtesy: Pritha Dey. Top:Tanaorhinus kina. Below L-R: Amblychia sp., Naga Hawk moth (Acosmeryx naga), Peach blossom moth (Thyatira batis)}

Lalitha Krishnan: OK. Pritha, back to you. There are day-flying moths and night-flying moths. I know this is a very basic question for you but for all of us who don’t know anything about moths, could you tell us 4 easy ways to help us differentiate a moth from a butterfly?

Pritha Dey: I’m very happy to answer very basic questions. So, moths and butterflies, they both belong to this order, Lepidoptera. Moths came earlier than butterflies. Butterflies evolved from moths. So, there are some connecting groups in the evolutionary tree which are the day-flying moths. So they have bright coloured wings like a butterfly do but mostly moths are nocturnal in behaviour.

The easiest way to differentiate between a butterfly and a moth is to look at the antennas. The antenna for butterflies is club-shaped. They have a round ball-like structure at the end of it whereas moths, they have fuzzy, hairy antennas. Looking at them also, butterflies are more slender but moths are fuzzy and hairy. If you look at them sitting also, butterflies close their wings when they sit on a leaf or a flower and moths sit with their wings open and flat on the surface.

Lalitha Krishnan: OK.

Pritha Dey: Of course, there are exceptions to these things that I’m telling you which actually prove the rule. Another difference is the pupal stage which is very scientific or taxonomic but I’ll still mention it. The moths in a pupal stage spin a covering around their developing stage which is called a cocoon. Which is spun by the moths. But for butterflies, the covering in which the developing stage is there is called chrysalis. It is part of their body that develops into this cover.

Another interesting thing that differentiates moths and butterflies is something called a wing coupling device. In moths, there is a tiny structure called the frenulum which actually joins the forewing and the hindwing but there is no structure like that in butterflies. So, that’s why you find their flight also a bit different. Butterflies, if you see them in flight it’s clearer and in moths, it’s a bit fuzzier and confused flight.

Lalitha Krishnan: OK. And can one see this? Is this visible…the joint between the wings?

Pritha Dey: No. it’s visible under a microscope. So, the last two differentiations that I said are very scientific and taxonomic but for a layperson to differentiate between a moth and a butterfly, is to look at the antenna. That’s the giveaway.

Lalitha Krishnan: This is an easy and practical way for people who might be interested but don’t know how to start looking in their own garden to differentiate the moths and butterflies. Thank you so much. Rohit, since 2016 you have been working on bats in Uttarakhand. Could you tell us more about the bats in the Himalayas?

Rohit Chakravarty: So, Himalayan bats are quite unique. Like Pritha spoke about moths we see very similar patterns with bats as well. Just because of the geographical location of Uttarakhand, there are species that are at the edge of their distribution from Europe, from Eastern Asia like China, Japan, etc. and peninsular India. All of these species sort of merge in Uttarakhand. So it results in a unique diversity of tropical and temperate species. But what is even more fascinating for me is to see these small animals that fly. And flight, as you know, takes up a lot of energy. These small animals live in such elevation and they fly continuously throughout the night. So it’s very interesting from the point of view of physiology to know how these animals do that. At some point in time, it would be great to study these things. There are bats going even further, even in Ladakh which is at 3800-4000 metres. I don’t think there is any place in the whole world where bats occur at such high elevation. That’s unique.

Lalitha Krishnan: One had a concept in one’s head that bats usually live in caves. But now they’re all over urban areas, right?

Rohit Chakravarty: Bats have actually been in urban areas for a very long time. It’s really their ability to keep themselves concealed. Most people have bats in their houses but they don’t know about them until they see a pup lying on the ground or until they see a dead body in their house. But bats really have the ability to conceal themselves. And, they fly out at night, which again helps them conceal. So, bats have been with people for a very long time and it’s just that their secretive behaviour had helped them keep away from people while being close to them.

Lalitha Krishnan: Pretty smart. Pritha, back to you. Could you tell us about the independent project that followed your PhD work?

Pritha Dey: When I came back from Germany after doing part of my Ph.D., I got funding from the Rufford Foundation (UK) where I got to study the moths from the Kedarnath wildlife sanctuary. It is another protected area in the western Himalaya which has not been explored for moths. We know the Himalayan Monal, we know the Musk deer, we know the Rhododendrons from this particular part of Uttarakhand but nothing about moths. In 2018 I did fieldwork there in the summer for two consecutive years. In 2019 also, I did some fieldwork. It’s been a very different diversity that I found from my earlier work in the Nanda Devi Biosphere Reserve because it’s more oak-dominated, rhododendron dominated moist forest in that part of Uttarakhand. I already reported a new species to the western Himalayas from that project. Most importantly I got to do a lot of outreach activities from that project where I could reach out to people from non-scientific backgrounds to talk about moths; how they’re important to our ecosystems and how is it important to conserve them. During that time also, I got to meet you at the Devalsari meet, which was also part of my outreach activity when I could give a talk about moths. Apart from science, I really like to reach out to people about my research which I think is very important for any kind of research. I take that from my independent project.


Lalitha Krishnan: That’s great. And what is the species you discovered?


Pritha Dey: I didn’t discover. it’s an already existing species. It the Drepanid moth which is a hook tip moth that was previously known to be found only in the eastern Himalaya. So, I reported this along with Mr Sanjay Sondhi. He also found it near Chakrata, in a place called Kanasar and I found it in Kedarnath wildlife sanctuary. Both of these records are first-time records from the western Himalayas. That was really something exciting.

Lalitha Krishnan: So cool. This might be a really stupid question but I haven’t heard of a …you know we have a national bird, a national animal, but do we have a national moth? Is that something we could do to promote moths?


Pritha Dey: We don’t as yet but we have state butterflies. We don’t have state moths as of yet. That gives me another reason to talk about moths more and to continue my research.

Lalitha Krishnan: It’s an idea.

Pritha Dey: It’s an idea.

Lalitha Krishnan: Rohit, bats use many senses as you said but mostly their sense of hearing to communicate? You have trapped and recorded their ultrasonic calls. Could you tell us more about how they hunt, how they pick up sounds or avoid threats and stuff like that?

Rohit Chakravarty: Bats use ultrasound to navigate. They make these sounds that we can’t hear. We can’t hear ultrasounds. These sounds that bats make are really loud and sometimes they can be as loud as a firecracker. We are fortunate that we can’t hear it. When those sounds hit objects and come back to them, bats make all these mental calculations in split seconds in their minds where they calculate their distance with respect to the object, their position, their speed, etc. and they navigate. If it’s a hard object, for example, if it’s wood, or it’s a tree or a brick wall in front of them…hard objects reflect almost all of the sound that has hit on them. Whereas if it is a person, or if it’s an animal, that’s in front of a bat, the skin absorbs some sound and reflects part of the sound back to the bat. Depending on the time that it takes for the sound to be emitted and to be returned, and the intensity of the sound that is emitted and the intensity of the sound that comes back to the bats, bats make these calculations and they figure out if it’s an object that’s in front of them – whether it’s an enemy, whether they’re edging toward danger or towards food. So despite our politicians telling us that mathematics is not important, it’s really important for an animal to survive in the wild and they do it subconsciously.

Lalitha Krishnan: I won’t say anything about politicians but bats sound pretty smart. That’s so cool. You also mentioned earlier that bats also feed on moths. I just read part of an article in a scientific journal which mention that a species of tiger moth has developed a defensive ultrasonic clicking technique that jams the sonar–exactly what you were talking about— of echolocating bats to avoid being eaten. They’re saying this is the “first conclusive evidence of sonar jamming in nature”. Who wants to talk about this?

Rohit Chakravarty: I’ll let Pritha answer.

Pritha Dey: Yes.

Lalitha Krishnan: What do they mean by moth-clicks?

Pritha Dey: Moths are majorly predated upon by bats. In the conversation so far we know that bats echolocate to hunt also. They hunt for moths by echolocating. One group of moths known as the tiger moth; they have—you talk about one species—but the entire family has developed this way of combating this echolocation by producing ultrasonic clicks. What they do is basically they produce the clicks at a certain frequency which are also ultrasonic. A frequency that hampers the echolocation of the flying bat and it confuses the bat as to where the moth is located. So, the bat gets confused about the location of the flying moth and cannot really predate on it. So, that’s how it functions and that’s how it evolved. So, the moths echolocate; they produce these ultrasonic clicks only in response to echolocating bats otherwise they do not use any ultrasound to communicate. They are mostly herbivores insects so they communicate only for mating which is mostly through pheromones.
This moth-bat ultrasound warfare is an evolutionary arms race and they are co-evolving new strategies. There is something called a ‘stealth echolocation’ by the bats also where they have devised a way to avoid this sonar jabbing by the tiger moths and at the same time, the moths are also devising new strategies to combat these echolocating bats. So yes, it’s eco-evolving, ongoing warfare in nature.

Lalitha Krishnan: This sounds like something straight out of the movies. You know this could be a hit and miss for both right?

Pritha Dey: Yes.

Rohit Chakravarty: It sounds more like the US and North Korea saying, “My button is bigger than yours.”

Lalitha Krishnan: Haha. Ok. You’ll have both studied abroad. Did anything stand out from those experiences? What did you bring back to your respective fields?

Pritha Dey: For me, I was in Germany for part of my PhD. After I completed my fieldwork in India, I came to Germany to complete the rest of it. My supervisor here (Germany) is a very funny and kind-hearted man who took me to South America and different parts of Europe for fieldwork.

Lalitha Krishnan: Oh nice.

Pritha Dey: I was exposed to a lot of—for the first time—I have seen so many people working on moths come together which I hardly see in India. The efficient networking that they share like all the scientists here – I am talking about the European community – the scientific networking and the taxonomic exchange that is required for lesser-known taxa is very efficient here. Which I took- something positive about my stay in Germany and want to take this culture back to India where more scientists work together toward conserving particular taxa. It would be more encouraging. We have so much diversity in India but very few people working on this kind of diversity. So yes, I took that back from my stay in Germany.

Lalitha Krishnan: That sounds so good. That sounds like a good thing to bring back. What about you Rohit.

Rohit Chakravarty: In the case of Bats, Germany is a great place to study because Germany treats its bats like we treat our large animals. So, bats receive the highest levels of protection in German law. Whereas in India, they are completed unprotected except for a few species. What is even more heartening to see is almost every month, there are citizen science events where people go around the city either recording bat calls in a scientific framework. Or they are citizen groups that put identification rings on bats much like how people put rings to study migratory birds. So groups put rings on bats before they go into hibernation or during autumn. They do this to see how populations are faring in the city or see how populations are migrating from one part of Europe to another. Most of these studies have been going on for decades now. So, this culture of studying bats is really ingrained in them. That’s something I would really like to see in India- to bring it to India and continue for many years to come.
Other than that, of course, Germany is a technological hub. The technology we have here to study bats e.g. miniature GPS tracking devices that you can put on bats to study their movements, study their foraging, and everything. So, that technology is something that I would ideally like to bring back to India.

Lalitha Krishnan: So nice to hear that you’re interested. We don’t have enough of citizen science projects. They’re a good way of creating awareness and conserving wildlife. I’m going to get back to citizen science as both of you are interested. If somebody in India is interested in moths and starts off by taking photographs or wants to id or post pictures online what or where should he/she be looking? What sites or what forums?

Pritha Dey: Yes, you correctly pointed out that both of us are interested in the citizen science framework. There are many forums like the India Biodiversity Portal or different social media groups where people put up pictures of moths and get them identified. Here, I would like to emphasise a particular portal – the Moths of India website which comes under the Biodiversity Atlas Project in India. It is completely citizen science-based. I’m a team member of this initiative. How it functions is that you see a moth, you click a good resolution picture as others can identify it and you can just put it up as an observation with a date and the location. These two things are important. Anybody can register themselves and upload their observations. Then, there’s a team of reviewers. We get these observation uploads every day and we -a team of 7-8 people-we review it, try to properly identify it if it hasn’t already been done and then it is put up on our website. The website is very easily searchable. You can search by location or if you are a bit more oriented toward the moth taxonomy you can search by family or genus names and you can get your moth identified and see their distribution also which is based on whatever observations we have from different parts of the country.

Lalitha Krishnan: That will help. And for bats Rohit? What resources would a bat fan use? What website?

Rohit Chakravarty: So, I have written a detailed article on this and I would really urge the audience to google ‘A Beginner’s Guide to Bat watching’ and the article is up on ‘Conservation India’ You’ll be able to find it as soon as you google it. In that article, I have listed down all the resources that people can refer to, and all the equipment a bat watcher needs to start watching bats and to start identifying bats. Unfortunately, there are not any online portals that allow Indians to know more about Indian bats but there’s a lot of self-learning that people can do and I’m sure this article will help you get started.

Lalitha Krishnan: One could always start a group of sorts, right?

Rohit Chakravarty: Yes and we definitely do need something bat focused in due course of time but at the moment like ‘Moths of India’, we also have ‘Mammals of India’. Of course, we receive a lot more photographs of other large mammals but I would urge the audience to click photos of bats wherever they can find them and post them to groups of ‘Mammals of India’ and also India Biodiversity Portal.

Lalitha Krishnan: OK. That helps, Thanks. I request both of you to share a conservation-related word/concept and tell us why it’s significant for you.

Pritha Dey: What concerns me at the moment is the ongoing insect species decline that we see globally. It has gathered attention from scientists and politicians alike. We need more young people to be interested to study lesser-known taxa or less charismatic taxa from a country which is so hugely biodiverse like India. With the right techniques and tools, India has the potential to stand out in insect conservation. I would really reach out to the young people through this conversation that: Please be interested more in moths, butterflies, and other insects. Apart from science, it’s very important to reach out to the non-scientific community to achieve larger conservation goals and I would end by saying there’s a famous scientific article by the scientist, EO Wilson which says:” Little things that run the world”; he talks about insects and arthropods. As long as you believe that so that’s the message that I would like to spread through this conversation.

Lalitha Krishnan: Bravo.

Rohit Chakravarty: My message is pretty similar to Pritha’s. As someone who works on a lesser-known group of animals. I believe that every animal is different and every animal tells a different story about the world. For e.g. a tiger might tell you a lot about forests and about how deer populations need to be controlled, how human interference needs to be managed, how corridors need to be connected etc. But a bat is a completely different animal and so is a moth and so is a frog. So, every animal tells a different story about the world. And, only when you study them, do you understand what story it conveys and how you should protect its world in order to save the animal itself.


The other message that I would like to younger people is to have faith in science. To not lose hope in science and to develop an objective view of the world; not a subjective one. And to include science in the way we conserve species. Science is not the end result and it’s not the destination but it’s definitely something important we need to incorporate into conservation measures.

Lalitha Krishnan: That was interesting and relevant for anyone who’s listening. Really great. Thank you so much Pritha and Rohit.

I hope you enjoyed this episode of Heart of Conservation Podcast. I’d love your feedback. Do write to me at earthymatters013@gmail.com. If you know somebody whose story should be told or is doing interesting work, do contact me.

If you want to know more about Pritha’s and Rohit’s work scroll down for the links. You can download Heart of Conservation podcast episodes for free on Soundcloud, Apple podcast, Spotify, Google Podcast or wherever you listen to your podcasts. Bye for now.


For more info on bats write to rohit.chakravarty77@gmail.com. For more on moths, write to dey.pritha126@gmail.com

Also, check out “A beginners guide to bat watching

Mammals of the Indian Subcontinent

Moths Of India

https://www.sanctuaryasia.com/conservation/field-reports/10693-like-a-moth-to-a-flame.

htmlhttps://www.livemint.com/Leisure/6vGVslxDp407q8vYzCsoVM/Searching-for-nightfliers-in-Uttarakhand.html

Birdsong by hillside residents


Disclaimer: Views, thoughts, and opinions expressed in the podcast and show notes belong solely to the guests featured in the episode, and not necessarily to the host of this podcast/blog or the guest’s employer, organisation, committee or other group or individual.